DJ, Music Producer, Songwriter

Building the biggest DJ comeback in history — be part of it!

It was never about failure but preparation...

highbloo portrait highbloo crowd
Supported & playlisted by Steve Aoki DJ Snake Foamo (Gorgon City) Will Bailey (Low Steppa) Raving George (Charlotte de Witte) Style of Eye (Galantis) 2 Many DJs Brodinski Boys Noize Crookers + many more Supported & playlisted by Steve Aoki DJ Snake Foamo (Gorgon City) Will Bailey (Low Steppa) Raving George (Charlotte de Witte) Style of Eye (Galantis) 2 Many DJs Brodinski Boys Noize Crookers + many more
Past & present

The sound then. The sound now.

Sixteen years apart, same DJ — completely different sound. Watch where it started, then where it's headed.

Past

2010 — the festival years. The sound that got Steve Aoki and DJ Snake's attention.

Present

2026 — the comeback. Warm texture, groovier, house, disco funk... built different this time.

The story

In 2010, highbloo started touring as part of one of Belgium's breakout electronic acts — playing stages of 2,000 to 15,000 people worldwide. Signed to DIM MAK and Lektroluv Records. Steve Aoki and DJ Snake played and championed his early work, and 2manydjs named his track "Time to Change" one of their favorites of 2010. Tiga, Brodinski, Boys Noize, and Crookers all ran his tracks and remixes in their sets.

In 2011 he joined Belgian band The Subs — "Don't Stop (feat. Highbloo)" got serious radio airplay. His remix and collab work crossed paths with Foamo (now Gorgon City), Will Bailey (now Low Steppa), Malente (now Claptone), Raving George (now Charlotte de Witte), and Style of Eye (now Galantis) — a tight circle of artists who'd go on to define the next decade of electronic music.

Then it stopped. He moved to the US and kept working on a few more music projects, but he had a bigger plan: stopping music to build businesses and financial freedom first. A 7-figure trading business he still runs today, plus a creator management company. Once he had financial freedom, it was time to return — exactly like he'd promised himself.

His 2010 Crystal Fighters remix resurfaced in the new wave of faster, harder techno — among the ones picking it up: I Hate Models and The Hellp. It went viral across Boiler Room and TikTok clips, introducing his sound to a generation that wasn't there the first time. His own comeback content hit 2.2M views on Instagram in April, and the recurring series is now adding 200+ followers a day.

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The podcast

"In Alignment With Highbloo" — bring the podcast to your festival

highbloo isn't just a DJ act anymore — it's a media company. The podcast travels with the tour, gives your festival its own episode, and turns the crowd into content that keeps promoting your event long after the weekend's over.

Agenda is filling up fast — a limited number of festival slots left this season

Book the podcast for your festival
History

Shows played

2010

The start. A run of clubs and festival stages across Europe, from 300-capacity rooms to 7,000-person main stages:

UK Southend-on-Sea — 300 LUX Melusina — 500 (club) BE Dour Festival — 6K (stage) BE Rock Herk — 2K (stage) BE Ten Days Off — 1K BE Francofolies de Spa — 500 FR Social Club Paris — 700 BE Feest in het Park — 1K BE Pukkelpop ×2 — 7K NL Lowlands Festival — 5K DK Rust Club Copenhagen — 500 BE Laundry Day — 5K BE Openfields — 500 BE Summerset — 1K Fuse — 1K

Plus club dates in Stockholm, Milan, Madrid, Berlin, Cologne, Aachen, Munich, Fribourg, Bordeaux, Lille, Lyon, Aix-en-Provence, Ghent, Antwerp, Genk, Liège, Namur, Mons, and Kortrijk.

2011

Joined The Subs. AU Future Music Festival · BE Pukkelpop ×2 (The Subs & highbloo) · BE Werchter (The Subs) · FR & NL all major cities (The Subs) · DE Berlin · BE all major festivals.

2012

South Africa tour. Mexico tour, including Mexico City.

2013–15

Clubs and festivals, every year.

2026

The return. highbloo content launches across YouTube, Twitch, and Instagram — leading back to the booth.

For promoters & venues

Book the set. We bring the energy and the content.

Every set and journey is filmed, vlogged, and becomes content shared across YouTube, TikTok, and Instagram.

Send booking inquiry
Direct contact
Response time
Usually within 48 hours
More comparisons

More then-and-now moments

Past

I Love Techno 2010 recap (7K-people room)

2011 Future Music Festival, Australian tour — Dim Mak stage

2015 — set recorded for Les Nocturnes de l'ULB (3K-people stage)

Present

Midnight Gems Series — mixtape #2

Midnight Gems Series — mixtape #3

Entertaining long-form YouTube video series